What makes good music spaces?
- Trevor Mason
- Jul 11, 2014
- 5 min read
Updated: Apr 30

Sick of visiting a practice room where the gear looks like it's been pulled from a skip?
Tired of using a dingy practice room that smells like a cesspit?
No longer want to wear three pairs of gloves and a parka coat in the winter?

Well get a load of this. We followed hundreds of music rehearsal spaces' websites and Facebook pages to see what else was on offer. This article takes the best of the lot and distills our findings in an easy to follow summary. We didn't compare prices but rather grouped common offers to create three proposed levels to give an idea of the range of services available to a rehearsing musician. The more services you require the higher the cost.
We were not able to visit the spaces in person so we wholly relied on how well they presented themselves on the internet. To start with we took the perspective of a rehearsing musician.

Putting on a good performance comes down to good preparation. Hence, music rehearsal spaces play a major role in the preparation of live and recorded music.
Of course, the equipment on offer can be a major factor in what makes a good music rehearsal space. However, there are big differences in how spaces operate, contributing to their survival:
Many spaces offer a recording facility, a shop and cafe
Some spaces put on gigs or rent PA to supplement their income
Spaces with a small number of practice rooms often struggle to survive
In the US, tenants of lockouts often sub-let their space to recoup their rent
Also in the US, huge multi-site facilities with hundreds of practice rooms offer permanent lockouts

The live event production industry publication, Total Production International, has held the TPi awards in London each February since 2002.
The event attracts over 1,400 people from all corners of the live music and entertainment business, to acknowledge the achievements of those working within it. It hosts a sponsored category "Favourite Rehearsal Facility" with voting opening in November each year and any rehearsal spaces can be entered.

Basic Level
At the most basic level most musicians would be happy with a practice room that is:
well lit
warm and dry
some soundproofing
open till late in the evening
basically clean (vacuumed regularly)
near to a clean WC with running water
safe and secure (fire escape, fire alarm light)
easily bookable by phone, email and/or website
full of accessible power sockets round the walls
nearby to good public transport links and/or parking
big enough to work in with ease - for a 4-5 piece band
providing basic refreshments such as tea & coffee (some spaces may charge)
reasonably priced - cheapest is not always the best, and you get what you pay for

Often music rehearsal spaces advertise the dry hire cost of the practice room, meaning no amps, no drum kits, no mics, sometimes no PA. All these items can be chargeable extras. You may have your own mics, drum kit and amps to use, in which case a dry hire may be the most economical option. But if you want all the gear supplied as part of the deal, then what seems the best price can soon escalate.
Spaces that rent gear in often require the hirer to collect and set it up. To unpack and set up a drum kit can take up to 20 minutes. Some spaces require it all broken down again. This process can lose you the best part of an hour. It is a good idea to check exactly what comes as part of the deal.

Equipped Level
At an equipped level most musicians would be happy with a practice room that has:
seating such as chairs and/or a sofa
a well maintained 5 piece drum kit (snare & cymbals cost extra)
guitar amps rated at 50–100w and bass amps at 100w as a minimum
basic recording facilities for reference purposes to help your development
a PA system to hear a vocal clearly rated at 1000w or more with mic stands
storage facilities to keep your music gear at the space to reduce loading times
microphones such as the ubiquitous Shure SM58 or the Sennheisser Evolution series
soundproofing on the walls/ceiling to reduce reverberation, reflections & flutter echoes
Some spaces charge an extra hour if a hirer is one minute late leaving the room, or double time in 15-minute units. Some may charge for room cleaning. Whilst it is good manners to clear up your mess, it is always worth asking about the space’s get-in/out policy.

Additional Features
There are more features musicians may want according to their work, instruments and working methods. In addition to a basic workspace, they may wish to have some or all the following additional features (in no particular order):
lighting rig
air conditioning
raised stage area
floor wedge monitors
access to wifi and/or broadband
space to run education workshops
car parking close to entrance of room
a small shop to purchase consumables
help to promote your gigs and releases
reception, administration support and facilities
ground floor room access to ease load in/out or has a lift
attention to detail to make your rehearsal more pleasurable
a larger performance or showcase space, perhaps with mirrors
a space that encourages inter-band networking through its social media sites
informal relaxation and social space to break out, take refreshments and chat
resource base such as a noticeboard with information on opportunities, vacancies, etc
A good rehearsal space should provide you exclusive access to your selected practice room and its facilities with no distractions such as people walking in and out interrupting your productivity. Ideally your practice room will not double up as a live room in a recording studio - the space will make more money from a recording session and may cancel your rehearsal booking.

The Four Hates
Those who run a music rehearsal space are responsible for the physical upkeep and day-to-day management of the premises which may include cleaning smoking, parking and storage areas. Insurances such as public liability and observing health & safety requirements all add to the cost in running a music rehearsal space.
Before you book a practice room ask to have a look round while it is not in use to avoid the four hates:
Members hate travelling - ensure the space is located centrally
Hate having a faulty or under-powered PA – check with a quick mic test
Hate hearing another band in the next room - check it has good soundproofing
Musicians hate being roadies – find a space with ground floor access and no stairs
Remember, professional bands pay extra for a larger room, good quality PA and extras such as foldback, fridge in room, whiteboard, chill out lounge etc.

Many spaces provide additional services in developing their business. They can include:
recording studio
teaching
gig promoter
repair shop
instrument and music gear retailer
live music venue
cafe
video studio

Finally the attitude or culture of the place is crucial. Musicians want to feel they are dealing with people who are into music making on a professional level. They want to rub shoulders with other musicians, coming and going, who take their music just as seriously. They want to deal with a rehearsal space manager who smoothes the way and makes sure the toilets are reasonably clean. Oh, and they want tea and coffee making facilities with mugs on hand that are not cracked.
And of course, they want the customary Persian rug strategically placed in the centre of the room to finish off the final look of the room.
So, it's not just the equipment, but so many more things can make a good music rehearsal space.
Creating a good music space is about more than just soundproofing; it’s also about comfort and air quality. When you spend hours practicing or recording, the environment needs to support your focus and energy. That’s why I’m interested in ways to improve indoor air quality—clean, fresh air helps maintain concentration and keeps the space feeling inviting. Using tools like Sensibo Elements, which monitor and control temperature, humidity, and air purity, can make a huge difference. It’s impressive how technology enhances creative spaces by keeping the air healthy and comfortable, making music sessions more enjoyable.